Backline Presents:
Absolut Legends and Suldge Pioneers EYEHATEGOD are finally back in Switzerland:
Back in 2017, all that veteran hardcore/doom-slingers Eyehategod wanted to do was tour, and for about three years that’s all they did. They even back-burnered plans to finish the follow-up to 2014’s incendiary Eyehategod album in order to storm stages across the U.S. and play exotic nations they’d never visited such as Indonesia, South Korea, Vietnam, Thailand, Israel, Tasmania and more. They played and toured with some of their favorite bands, such as OFF!, Negative Approach, Sheer Terror, Corrosion of Conformity, AntiSeen and the Obsessed.
Eyehategod’s new album, A History of Nomadic Behavior, is a reflection of the chaos and euphoria the band experienced over the past three years of touring crossed with the past two years of political turmoil, pandemic terror and remorseless hypocrisy.
The first release from the album, “High Risk Trigger,” encapsulates the filth and damaged beauty of Eyehategod. The song starts with a chugging groove reminiscent of SST-era Soundgarden before erupting into a doomy minor pentatonic passage that wouldn’t sound out of place on an ‘80s Saint Vitus album. Lyrically, the song -- like most Eyehategod ditties – is cryptic and abstract, but it
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Backline Presents:
Absolut Legends and Suldge Pioneers EYEHATEGOD are finally back in Switzerland:
Back in 2017, all that veteran hardcore/doom-slingers Eyehategod wanted to do was tour, and for about three years that’s all they did. They even back-burnered plans to finish the follow-up to 2014’s incendiary Eyehategod album in order to storm stages across the U.S. and play exotic nations they’d never visited such as Indonesia, South Korea, Vietnam, Thailand, Israel, Tasmania and more. They played and toured with some of their favorite bands, such as OFF!, Negative Approach, Sheer Terror, Corrosion of Conformity, AntiSeen and the Obsessed.
Eyehategod’s new album, A History of Nomadic Behavior, is a reflection of the chaos and euphoria the band experienced over the past three years of touring crossed with the past two years of political turmoil, pandemic terror and remorseless hypocrisy.
The first release from the album, “High Risk Trigger,” encapsulates the filth and damaged beauty of Eyehategod. The song starts with a chugging groove reminiscent of SST-era Soundgarden before erupting into a doomy minor pentatonic passage that wouldn’t sound out of place on an ‘80s Saint Vitus album. Lyrically, the song -- like most Eyehategod ditties – is cryptic and abstract, but it touches on the all-pervasive fears bred by an invisible germ storm sweeping through the nation and a society sickened by police brutality. (“Infection is the way, disruptive crowd takes aim/ Burn down the rail yard house, destroy the U.S.A.”).
“These songs don’t tell any stories, but there are a few themes in there that people can figure out if they listen closely,” Williams says. “The riots and the elections and COVID were all happening and all that was in the back of my mind when I did the vocals for the record.”
Local Support to be announced
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